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Folkcraft               1996 “Hummingbird”                Mountain Dulcimer

Here’s a beautiful, USA-made Folkcraft mountain dulcimer from their respected Connecticut shop—model CFSH (Standard Hourglass), serial #872.


This is the classic Folkcraft design: a comfortable hourglass body, easy playability, and that sweet, traditional Appalachian tone that makes these instruments so popular with both beginners and experienced players.


What really sets this one apart are the custom hummingbird-shaped sound holes, giving it a unique, eye-catching look without sacrificing tone.


Features:


Solid Folkcraft build quality (Winsted, CT era)

Walnut body for warm, balanced tone

smooth-playing fretboard with geared tuners for easy, stable tuning

Classic hourglass shape – comfortable and well-balanced

Condition:

Very good overall condition. Clean, well cared for, and ready to play.

Sound:

Clear, warm, and mellow with that traditional dulcimer sweetness—great for fingerpicking or strumming.

Whether you’re looking for a dependable player, a step up from an entry-level instrument, or a unique piece with some visual charm, this Folkcraft fits the bill nicely.


👉 A solid, American-made dulcimer that’s getting harder to find from this era.


1975 Michael Gurian JM

1975 Gurian JM – A Vintage Masterpiece
Own a legendary piece of boutique guitar history!

Discover the magic of this 1975 Gurian JM, a jumbo mahogany gem handcrafted during the peak of Michael Gurian’s renowned Hinsdale, New Hampshire workshop. Favored by icons like Paul Simon, this guitar embodies the soul of the 1970s acoustic revolution with its rich tone and impeccable craftsmanship.

Lush, Balanced Tone: Built with a solid mahogany back, sides, and neck paired with a premium Sitka spruce top, it delivers a creamy, warm sound with strong mids, sparkling trebles, and a robust bass – perfect for fingerstyle or strumming.

Jumbo Comfort: Its rounded, slightly oversized body (akin to an OM-plus) offers a bold projection while remaining surprisingly comfortable to hold, with a 25.5" scale length for added clarity and sustain.

Artisan Details: Features an ebony fingerboard, Indian rosewood bridge, and subtle wooden binding, showcasing Gurian’s classical-inspired design finesse.

Seasoned Character: Nearly 50 years of natural aging give this JM a broken-in feel and a sophisticated, vintage vibe – a true player’s instrument with a story to tell.

This Gurian JM (Serial #C-series) is a rare find, one of only about 5,000 guitars produced before the factory’s tragic 1979 fire. Maintained in excellent condition, it’s ready to inspire its next owner – whether you’re a collector, a performer, or a songwriter seeking that elusive “boutique” sound.


1980’s Vintage    Arbor Bass



Step back into the early 1980s with this vintage bass that looks—and sounds—like it just rolled out of a time machine. If you want big, classic tone without the big price tag, this one delivers. Crafted in Japan over 40 years ago, it’s amazingly well-preserved and looks nearly untouched. Even better, it comes with a period-correct chipboard case to complete the vibe.



From a Small Canadian Shop, Two Guitars That Still Sing             2 Early Larrivées with Stories Left to Tell

1984 Larrivée L-07 (Victoria, BC)


There’s something special about the early Victoria-built Larrivée guitars—before the name got big, when Jean Larrivée was still extremely involved and every instrument felt a little more personal.

This 1984 L-07 is one of those guitars.

Built with a spruce top and rosewood back and sides, it has that signature Larrivée voice—clear, balanced, and quietly powerful. The kind of guitar that doesn’t fight you, whether you’re fingerpicking a tune or backing up a voice on a late-night song.

Condition is about as clean as you’ll find for a 40+ year-old instrument. Just a couple of light finish checks—honest signs of age, nothing structural, just the kind of patina that comes from being around for a while.

Tone: Warm but focused, with a sweet, even response all the way across the strings. Notes ring true and hang in the air just a little longer than you expect.

A fine Canadian-built piece from Larrivée’s early days—ready for another few decades of songs.

1984 Larrivée L-40 12-String (Victoria, BC)


Twelve-strings can be a bit of a gamble—but every now and then one comes along that reminds you why people fell in love with them in the first place.


This 1984 L-40 12-string, built in Victoria during Larrivée’s formative years, is one of those guitars.


Spruce over rosewood, with the L-body keeping things full but controlled, it delivers that rich shimmer and chorus we all hope for—without the muddiness that can get in the way. Big, open chords bloom beautifully, and individual notes still hold their place.


It’s in remarkably clean condition, especially for its age. There is a professionally repaired top crack that’s now almost impossible to see and completely stable—mentioned for the sake of honesty, not concern.


Tone: Deep, ringing, and alive. Full without being overwhelming, with a clarity that makes it just as at home in a quiet room as it is filling a larger space.


A vintage 12-string with soul, balance, and a story—

Big Bottom End, Big Comfort, Big Value

Used Dean EABFL Jumbo Acoustic Bass w/ Deluxe Hardshell Case



































If you’ve been looking for an acoustic bass with real volume, smooth playability, and stage-ready looks, this Dean EABFL delivers in a big way. With its jumbo body design, this bass produces the deep, warm acoustic tone that smaller-bodied acoustic basses often struggle to achieve.

The natural finish and clean styling give it a classic look, while the comfortable neck and balanced feel make it easy to settle into whether you’re playing unplugged at home, backing an acoustic jam, or plugging in for live performance.

This example is in almost mint condition and has clearly been exceptionally well cared for. Frets are clean, finish shines beautifully, and it plays smoothly up and down the neck. Included is a deluxe hardshell case for excellent protection and easy transport.

A terrific choice for guitarists wanting to add bass to their collection, working musicians needing an affordable acoustic bass, or anyone looking for a full-bodied unplugged sound.


Rich low end, impressive projection, and excellent condition — a lot of acoustic bass for the money.

Vintage Japanese Craftsmanship with Big Voice & Bigger Character

Early 1970’s Cortez J6000





























There’s something special about the better Japanese acoustics from the early 1970’s, and this Cortez J6000 is a wonderful example of why players keep searching them out. Built during the golden age of Japanese guitar making, this jumbo-bodied beauty delivers the warm, open tone and lively response that only decades of aging can create. One of the legendary “lawsuit” guitars, this was a blatant copy of a Martin D45, featuring a Solid spruce top and rosewood sides and back (with a beautiful maple panel on the back), and D45 style pearl fingerboard inlays.


This J6000 has the kind of full, rich voice that makes it equally at home for folk strumming, country flatpicking, or singer-songwriter accompaniment. The dreadnaught size body offers impressive volume and projection while still retaining clarity and sweetness.


This guitar remains in excellent condition, especially for its age. It has been well cared for and shows the kind of honest vintage character players hope to find without the abuse so many instruments from this era endured. Comfortable neck, smooth playability, and a seasoned tone that modern guitars simply can’t fake.


A terrific opportunity to own a quality vintage Japanese acoustic without vintage American pricing.


Features:

• Early 1970’s Cortez J6000

• Made in Japan by the company that eventually became “Cort” guitars.

• Warm, mature vintage tone

• Excellent condition

• Great projection and balance

• A superb player’s vintage guitar


A soulful old guitar with the sound, feel, and personality only time can create.

1950 Martin 0-15

 – A Timeless Treasure
Own a piece of acoustic history with this stunning vintage Martin!

Step back into the golden age of craftsmanship with this 1950 Martin 0-15, a parlor guitar that blends simplicity, elegance, and soul-stirring tone. Built from solid mahogany top, back, and sides, this beauty delivers a warm, woody resonance that only decades of natural aging can perfect – ideal for fingerpicking blues, folk ballads, or intimate songwriting sessions.

Lightweight & Comfortable: At just over 3 pounds, its petite 0-size body hugs you like an old friend, making it a joy to play for hours.

Rich, Broken-In Sound: The all-mahogany construction offers a focused, mellow voice with a sweet midrange punch that’s matured gracefully over 75 years.

Classic Martin Craftsmanship: Handcrafted in Nazareth, PA, with a sturdy spruce bracing and a smooth rosewood fretboard that feels effortless under your fingers.

Vintage Vibe: Original finish with just the right patina – a testament to its authentic character and storied past.

Perfect for collectors, players, or anyone who cherishes the soul of a bygone era. This isn’t just a guitar – it’s a time capsule of American music heritage. Don’t miss your chance to own a 1950 Martin 0-15 in exceptional condition!

Yamaha     1972 FG-180         “Red Label”

Here’s your chance to own a true piece of Yamaha history — a 1972 “Red Label” acoustic, built during the era that put these guitars on the map.

If you know, you know. These early ’70s Red Label Yamahas have developed a loyal following for a reason — they deliver that dry, open, vintage tone that just gets better with age. This one is no exception. It’s got a beautifully seasoned voice: warm lows, clear mids, and a crisp, articulate top end that cuts without ever sounding harsh.

This guitar is in very good condition, especially considering it’s over 50 years old. It’s been well cared for and has the kind of honest playwear that tells a story without taking away from its looks or performance. No nonsense — just a solid, great-sounding vintage instrument.

The neck feels comfortable and broken-in, making it easy to play whether you’re strumming, flatpicking, or working through fingerstyle pieces. It’s the kind of guitar you pick up “just for a minute”… and suddenly an hour’s gone by.

These Red Labels were famously built  with incredible attention to detail, often rivaling much more expensive American guitars of the time — and they’ve only gotten more desirable over the years.

If you’re after a vintage acoustic with real character, history, and tone to match, this 1972 Yamaha Red Label is the real deal.