– A Timeless Treasure
Own a piece of acoustic history with this stunning vintage Martin!

Step back into the golden age of craftsmanship with this 1950 Martin 0-15, a parlor guitar that blends simplicity, elegance, and soul-stirring tone. Built from solid mahogany top, back, and sides, this beauty delivers a warm, woody resonance that only decades of natural aging can perfect – ideal for fingerpicking blues, folk ballads, or intimate songwriting sessions.

 Lightweight & Comfortable: At just over 3 pounds, its petite 0-size body hugs you like an old friend, making it a joy to play for hours.

 Rich, Broken-In Sound: The all-mahogany construction offers a focused, mellow voice with a sweet midrange punch that’s matured gracefully over 75 years.

 Classic Martin Craftsmanship: Handcrafted in Nazareth, PA, with a sturdy spruce bracing and a smooth rosewood fretboard that feels effortless under your fingers.

 Vintage Vibe: Original finish with just the right patina – a testament to its authentic character and storied past.

Perfect for collectors, players, or anyone who cherishes the soul of a bygone era. This isn’t just a guitar – it’s a time capsule of American music heritage. Don’t miss your chance to own a 1950 Martin 0-15 in exceptional condition!

A New model for Stadium Guitars- A limited edition Archtop. A great sounding and playing Rockabilly/Jazz  Guitar that won’t break the bank!

An extremely rare EKO Eldorado 6, this was EKO’s top-of-the-line guitar. It features a solid spruce top and beautifully figured solid Brazilian rosewood back and sides, complemented by elegant gold hardware.

This is a beautiful and impressive instrument, especially for the EKO collector. It is in excellent condition and plays very well—a truly special guitar.

This Les Paul is in near mint condition and sounds as good as it looks. Beautiful Koa wood and gold hardware. A real value! What else can we say?

A true piece of history — This mandolin was made in Chicago by Lyon & Healy (Who also made the Washburn Instruments) over 100 years ago. Lots of pearl and a Bowl made of Brazilian Rosewood slats! Besides looking Good it has a full rich sound that modern flatback mandolins can’t touch. It’s in amazing condition and plays like a dream. And yes, it does come with a case!!!

A Real Rock workhorse in Mint condition. This guitar features a humbucker in the lead position for a great blues sound. It also comes with a Washburn Hard Case!

"1964 Epiphone FT-30 Caballero – Kalamazoo Built, All Original

A wonderful example of a mid-1960s Epiphone FT-30 Caballero, built in the Gibson factory in Kalamazoo, Michigan during the golden era of American acoustic guitar production.

This guitar remains remarkably original, including its finish, hardware, tuners, bridge, and pickguard. The only exception is the bridge pins; five of the original pins are included separately with the guitar.

The FT-30 features traditional ladder bracing, giving it a dry, woody voice with excellent note separation and a punchy midrange that fingerstyle players love. It excels at old-time music, country blues, ragtime, folk, and other roots styles where clarity and character matter more than sheer volume. The response is immediate and lively, making it especially rewarding for fingerpicked arrangements.

With its comfortable size, classic hourglass headstock, and vintage Kalamazoo craftsmanship, this Caballero offers both collectibility and musicality. Finding one in such clean, original condition is becoming increasingly difficult.

A genuine American-made vintage Epiphone from the Gibson era—ready for the next generation of music.

Vintage Japanese Craftsmanship with Big Voice & Bigger Character

Early 1970’s Cortez J6000

There’s something special about the better Japanese acoustics from the early 1970’s, and this Cortez J6000 is a wonderful example of why players keep searching them out. Built during the golden age of Japanese guitar making, this jumbo-bodied beauty delivers the warm, open tone and lively response that only decades of aging can create. One of the legendary “lawsuit” guitars, this was a blatant copy of a Martin D45, featuring a Solid spruce top and rosewood sides and back (with a beautiful maple panel on the back), and D45 style pearl fingerboard inlays.

This J6000 has the kind of full, rich voice that makes it equally at home for folk strumming, country flatpicking, or singer-songwriter accompaniment. The dreadnaught size body offers impressive volume and projection while still retaining clarity and sweetness.

This guitar remains in excellent condition, especially for its age. It has been well cared for and shows the kind of honest vintage character players hope to find without the abuse so many instruments from this era endured. Comfortable neck, smooth playability, and a seasoned tone that modern guitars simply can’t fake.

A terrific opportunity to own a quality vintage Japanese acoustic without vintage American pricing.

Features:

• Early 1970’s Cortez J6000

• Made in Japan by the company that eventually became “Cort” guitars.

• Warm, mature vintage tone

• Excellent condition

• Great projection and balance

• A superb player’s vintage guitar

A soulful old guitar with the sound, feel, and personality only time can create.

1984 Larrivée L-07 (Victoria, BC)

There’s something special about the early Victoria-built Larrivée guitars—before the name got big, when Jean Larrivée was still extremely involved and every instrument felt a little more personal.

This 1984 L-07 is one of those guitars.

Built with a spruce top and rosewood back and sides, it has that signature Larrivée voice—clear, balanced, and quietly powerful. The kind of guitar that doesn’t fight you, whether you’re fingerpicking a tune or backing up a voice on a late-night song.

Condition is about as clean as you’ll find for a 40+ year-old instrument. Just a couple of light finish checks—honest signs of age, nothing structural, just the kind of patina that comes from being around for a while.

Tone: Warm but focused, with a sweet, even response all the way across the strings. Notes ring true and hang in the air just a little longer than you expect.

A fine Canadian-built piece from Larrivée’s early days—ready for another few decades of songs.

1984 Larrivée L-40 12-String (Victoria, BC)

Twelve-strings can be a bit of a gamble—but every now and then one comes along that reminds you why people fell in love with them in the first place.

This 1984 L-40 12-string, built in Victoria during Larrivée’s formative years, is one of those guitars.

Spruce over rosewood, with the L-body keeping things full but controlled, it delivers that rich shimmer and chorus we all hope for—without the muddiness that can get in the way. Big, open chords bloom beautifully, and individual notes still hold their place.

It’s in remarkably clean condition, especially for its age. There is a professionally repaired top crack that’s now almost impossible to see and completely stable—mentioned for the sake of honesty, not concern.

Tone: Deep, ringing, and alive. Full without being overwhelming, with a clarity that makes it just as at home in a quiet room as it is filling a larger space.

A vintage 12-string with soul, balance, and a story—

1975 Gurian JM – A Vintage Masterpiece
Own a legendary piece of boutique guitar history!

Discover the magic of this 1975 Gurian JM, a jumbo mahogany gem handcrafted during the peak of Michael Gurian’s renowned Hinsdale, New Hampshire workshop. Favored by icons like Paul Simon, this guitar embodies the soul of the 1970s acoustic revolution with its rich tone and impeccable craftsmanship.

 Lush, Balanced Tone: Built with a solid mahogany back, sides, and neck paired with a premium Sitka spruce top, it delivers a creamy, warm sound with strong mids, sparkling trebles, and a robust bass – perfect for fingerstyle or strumming.

 Jumbo Comfort: Its rounded, slightly oversized body (akin to an OM-plus) offers a bold projection while remaining surprisingly comfortable to hold, with a 25.5" scale length for added clarity and sustain.

 Artisan Details: Features an ebony fingerboard, Indian rosewood bridge, and subtle wooden binding, showcasing Gurian’s classical-inspired design finesse.

 Seasoned Character: Nearly 50 years of natural aging give this JM a broken-in feel and a sophisticated, vintage vibe – a true player’s instrument with a story to tell.

This Gurian JM (Serial #C-series) is a rare find, one of only about 5,000 guitars produced before the factory’s tragic 1979 fire. Maintained in excellent condition, it’s ready to inspire its next owner – whether you’re a collector, a performer, or a songwriter seeking that elusive “boutique” sound.

Here’s a beautiful, USA-made Folkcraft mountain dulcimer from their respected Connecticut shop—model CFSH (Standard Hourglass), serial #872.

This is the classic Folkcraft design: a comfortable hourglass body, easy playability, and that sweet, traditional Appalachian tone that makes these instruments so popular with both beginners and experienced players.

What really sets this one apart are the custom hummingbird-shaped sound holes, giving it a unique, eye-catching look without sacrificing tone.

Features:

Solid Folkcraft build quality (Winsted, CT era)

Walnut body for warm, balanced tone

smooth-playing fretboard with geared tuners for easy, stable tuning

Classic hourglass shape – comfortable and well-balanced

Condition:

Very good overall condition. Clean, well cared for, and ready to play.

Sound:

Clear, warm, and mellow with that traditional dulcimer sweetness—great for fingerpicking or strumming.

Whether you’re looking for a dependable player, a step up from an entry-level instrument, or a unique piece with some visual charm, this Folkcraft fits the bill nicely.

👉 A solid, American-made dulcimer that’s getting harder to find from this era.

Big Bottom End, Big Comfort, Big Value

Used Dean EABFL Jumbo Acoustic Bass w/ Deluxe Hardshell Case

If you’ve been looking for an acoustic bass with real volume, smooth playability, and stage-ready looks, this Dean EABFL delivers in a big way. With its jumbo body design, this bass produces the deep, warm acoustic tone that smaller-bodied acoustic basses often struggle to achieve.

The natural finish and clean styling give it a classic look, while the comfortable neck and balanced feel make it easy to settle into whether you’re playing unplugged at home, backing an acoustic jam, or plugging in for live performance.

This example is in almost mint condition and has clearly been exceptionally well cared for. Frets are clean, finish shines beautifully, and it plays smoothly up and down the neck. Included is a deluxe hardshell case for excellent protection and easy transport.

A terrific choice for guitarists wanting to add bass to their collection, working musicians needing an affordable acoustic bass, or anyone looking for a full-bodied unplugged sound.

Rich low end, impressive projection, and excellent condition — a lot of acoustic bass for the money.

Looking for a guitar that truly shines in the hands of a fingerpicker? This 1981 Yamaha SJ180 might be exactly what you’ve been waiting for.

Built during Yamaha’s golden-era run, the SJ180 is a bit of a hidden gem — especially for players who appreciate nuance, balance, and touch sensitivity. Unlike larger dreadnoughts, this smaller-bodied beauty responds effortlessly to a light hand, making it a dream for fingerstyle playing.

The tone is where it really stands out: clear, focused, and beautifully articulate, with a warm, woody character that only comes from decades of natural aging. Notes ring out with separation and definition, making complex fingerpicked passages sound clean and expressive without getting muddy.

This one is in good condition, with the kind of honest wear you’d expect from a well-loved 40+ year-old instrument. It’s been played, but also cared for — and it shows in both its feel and its sound.

The neck is comfortable and inviting, encouraging long playing sessions without fatigue. Whether you’re working through traditional folk, ragtime, or modern fingerstyle arrangements, this guitar keeps up with every subtle dynamic.

If you’ve ever wanted a vintage Yamaha that leans more toward precision and musicality than sheer volume, the SJ180 is a standout choice — and they don’t come up nearly as often as the more common models.

A great player’s guitar with real character and a voice all its own. Come give it a try — you might not want to put it do

Step back into the early 1980s with this vintage bass that looks—and sounds—like it just rolled out of a time machine. If you want big, classic tone without the big price tag, this one delivers. Crafted in Japan over 40 years ago, it’s amazingly well-preserved and looks nearly untouched. Even better, it comes with a period-correct chipboard case to complete the vibe.